Jesus... I've been tagged. This has never happened to me before. I feel like the Sally Fields of the internet. Thanks to Callaghan for this honour. Sorry it's been been so long since you tagged me. I had no idea. It's probably my fault he hasn't posted in a month.
The request is for: Five Things you Probably Don't know about me.
1. I'm an award-winning piper. I played the bagpipes from the time I was ten until I was 18. Sadly it was just before the whole Celtic craze thing so all I got were the typical "blowing your pipe" jokes. For those of you who don't understand I will now act it out.
Also: proof of this claim can almost certainly be found at the Ottawa Piping Club where my name is engraved on the trophy for Best Strathsbey and Reel.
2. I own three telescopes. A 12.5" Dobsonian, a 70mm Ranger, and I built my own 8" dobsonian telescope. I've loved astronomy since my folks took the five of us kids out to the Dominion Observatory one cold winter night and we saw Saturn. It blew my mind... I seen Saturn many times since then... it blows my mind every time.
3. Here comes strike three: as I already confessed to Dix, I am a magic nut. Just having written these three things suddenly explains so much I haven't understood for the longest time. I am a genuine-and-not-in-a-cool-way geek. I think Jay Sankey is a genius, I took magic classes from David Acer at Perfect Magic when I was going to the National Theatre School. He was like 15 at the time and was already a great performer.
4. My late aunt Millie had what I think is the most incredible name: Melba Opal Phoebe McKay. Plus everybody called her "Millie"!
5. I wrote my first play in grade one: It was Robin Hood. I directed it. And cast it. I was Robin Hood and Barbie Melson was Maid Marian. It was about how Robin Hood wanted to kiss Maid Marian and then marry her. My friend Ross McKenzie wanted to be in it. He was Friar Tuck. His job was to marry Marian and Robin. My other friend David wanted to be in it. But what part was there left? Robin had to travel through the forest so, I wrote a special role for him... he was Robin Hood's donkey.
Thanks for the tag Callaghan.
I know now that am a wiener.
Thursday, April 12, 2007
Dwayne Hoover was a Pontiac Dealer on the Brink of Going Insane.
1922-2007
His peephole is closed again.
Rice and Cheese!
Didn't you guys read my Yes/No Review of Andy Barker?!
It can't be any plainer. I said "YES!" Dammit.
What are you? My brother?
It can't be any plainer. I said "YES!" Dammit.
What are you? My brother?
Monday, April 09, 2007
The TV Writer and Bit Torrent: a moral question... kind of
I'm a pretty law abiding guy.
Except when I think the laws are dumb. Even then I don't go out of my way to flaunt my lawless ways. But there's a moral question that's been bugging me lately and I'd like to hear what other people think.
I have a friend...
And like many of you he's a Bit Torrentin' fool. For the most part it's been shows there is little or no chance he'd ever see here in Canada anytime soon. Particularly shows from Britain that weren't on BBC Canada, and that he couldn't find at the local video store. Then it was shows that were mentioned at a story meeting that he hadn't seen that were on HBO (Movie Central) and they weren't out on DVD yet and he didn't have "the cable". And then, it was just episodes of shows that he happened to miss during their first run... and now it's anything at all.
He has no illusions that what he's doing is legal. But he believes in Karma. He knows he'll have to pay... some day, some how.
And this is the thing: for the most part he does eventually pay for stuff he likes. The pleasure of watching some downloaded file on his computer doesn't compare to watching it on HD with his digital cable... or on DVD. So when he finds something he likes... like Six Feet Under and Deadwood a couple years ago... or Rome, Life of Mars, and Extras more recently... he doesn't mind coughing up the bucks for the DVD so he can watch it in it's full glory.
And today: it happened... he saw his own show being bit torrented... and what did he feel? Guilt? Resentment? Outrage? Nope... it was Pride.
Somebody... a fan presumably, cared enough to digitize and upload it... it's being seeded out there by a few curious viewers who maybe heard something about it but never got around to seeing it. And maybe they'll give it a chance.
There is a part of him that wonders if he, or more specifically his livelihood, is being threatened by the practice. After all, the show is a product. It is part of a business in an industry and profits are what motivate the decisions of the investors. But is this cutting into the industry's profits? I mean really? In the short term, there's no doubt. Viewership is down and therefore so is ad revenue. On the other hand these are also the guys that own and operate the companies that enable people like my friend to download the programming in the first place. And in the long term... isn't it actually more likely the industry will make money by creating content for not just one medium but several at the same time.
They irony is his show is on a network that makes the episodes online available to anyone (with a PC) who live in the country. So the people downloading the show are probably outside the country... but wouldn't it make more sense to make the show available to anyone around the world and talk with an smart advertising agency to find some way to get ad revenue by customizing the content to the local viewer?
It's just the old model of exchange that is dying. And people like my friend are just helping put it out of its misery.
Right?
Except when I think the laws are dumb. Even then I don't go out of my way to flaunt my lawless ways. But there's a moral question that's been bugging me lately and I'd like to hear what other people think.
I have a friend...
And like many of you he's a Bit Torrentin' fool. For the most part it's been shows there is little or no chance he'd ever see here in Canada anytime soon. Particularly shows from Britain that weren't on BBC Canada, and that he couldn't find at the local video store. Then it was shows that were mentioned at a story meeting that he hadn't seen that were on HBO (Movie Central) and they weren't out on DVD yet and he didn't have "the cable". And then, it was just episodes of shows that he happened to miss during their first run... and now it's anything at all.
He has no illusions that what he's doing is legal. But he believes in Karma. He knows he'll have to pay... some day, some how.
And this is the thing: for the most part he does eventually pay for stuff he likes. The pleasure of watching some downloaded file on his computer doesn't compare to watching it on HD with his digital cable... or on DVD. So when he finds something he likes... like Six Feet Under and Deadwood a couple years ago... or Rome, Life of Mars, and Extras more recently... he doesn't mind coughing up the bucks for the DVD so he can watch it in it's full glory.
And today: it happened... he saw his own show being bit torrented... and what did he feel? Guilt? Resentment? Outrage? Nope... it was Pride.
Somebody... a fan presumably, cared enough to digitize and upload it... it's being seeded out there by a few curious viewers who maybe heard something about it but never got around to seeing it. And maybe they'll give it a chance.
There is a part of him that wonders if he, or more specifically his livelihood, is being threatened by the practice. After all, the show is a product. It is part of a business in an industry and profits are what motivate the decisions of the investors. But is this cutting into the industry's profits? I mean really? In the short term, there's no doubt. Viewership is down and therefore so is ad revenue. On the other hand these are also the guys that own and operate the companies that enable people like my friend to download the programming in the first place. And in the long term... isn't it actually more likely the industry will make money by creating content for not just one medium but several at the same time.
They irony is his show is on a network that makes the episodes online available to anyone (with a PC) who live in the country. So the people downloading the show are probably outside the country... but wouldn't it make more sense to make the show available to anyone around the world and talk with an smart advertising agency to find some way to get ad revenue by customizing the content to the local viewer?
It's just the old model of exchange that is dying. And people like my friend are just helping put it out of its misery.
Right?
Sunday, April 08, 2007
To Whom it May Concern
And you know who you are...
Taco's Puttin' on the Ritz was originally released in 1991. [UPDATE: or in 1982, and that's the trouble with the internet!] The original Puttin' on the Ritz was written by Irving Berlin (as I believe Rob suggested)
Whatsamatteryou? was released in 1980 by Joe Dolce.
There was something else that was in dispute but I can't remember what.
Taco's Puttin' on the Ritz was originally released in 1991. [UPDATE: or in 1982, and that's the trouble with the internet!] The original Puttin' on the Ritz was written by Irving Berlin (as I believe Rob suggested)
Whatsamatteryou? was released in 1980 by Joe Dolce.
There was something else that was in dispute but I can't remember what.
Tuesday, April 03, 2007
Honest and Popular don't Go Hand in Hand
I'm following the lead of the Annekenstein Monster and Sunsetgun... the only three true and loyal fans of unjustly vilified, hilarious and under-rated Ishtar.
For those of you who have forgotten, or may not have been born, Istar was released in 1987 and was one of the first "Big Budget" comedies. It starred Warren Beatty and Dustin Hoffman, written and directed by the legendary Elaine May. There was a lot of comparisons at the time to the Crosby/Hope "Road to..." movies, which never made it particularly appealing to me as I was more of a Martin/Lewis kinda guy. And I remember hearing a lot of bad buzz at the time. Maybe my expectations were lowered making me open to the films many charms. I came out of the theatre with tears in my eyes, a changed man.
I don't remember the plot. Something about travelling to Ishtar I guess. But the plot was never the point. It was just a setting for amazing character set pieces that I can recite to this day: the restaurant scene, the "Smuck" scene, the "didn't need a pen" scene, the "Hawk" scene... Forget Martin/Lewis-- Hoffman/Beatty were the next generation Falk/Arkin for me. They taught me the lesson "the straighter it's played the funnier it is." I went back at least one more time to see it at the theatre and I believe that at least one friendship was cemented by a mutual love of the film.
For those of you who missed it, you might find it in the VHS section of the your local video store it still hasn't been released on DVD as far as I know. Thanks Sunsetgun for reminding me of it.
Dave's Yes/No Movie Review: Meet the Robinsons
I slept through an hour of it. Sooooo. I can't really say.
Sunday, April 01, 2007
Dave's Yes/No Movie Review: Notes on a Scandal, Shooter, Blades of Glory
Notes on a Scandal: Yes.
Shooter: no. (unless the last 15 minutes were supposed to be ironic)
Blades of Glory: YES.
Shooter: no. (unless the last 15 minutes were supposed to be ironic)
Blades of Glory: YES.
Friday, March 30, 2007
Thursday, March 29, 2007
Attention PEI Screenwriters
This is the way things go.
I'm on this montreal screenwriter's blog and I find out that there are screenwriting workshops going on here on PEI.
For those of you who are interested the Island Media Arts Co-op is hosting a number of workshops.
From their site:
I'm on this montreal screenwriter's blog and I find out that there are screenwriting workshops going on here on PEI.
For those of you who are interested the Island Media Arts Co-op is hosting a number of workshops.
From their site:
Writing for Television
Tues/Thurs, April 10th/12th/17th/19thFrom 7pm - 9:30pm
Instructed by: Cheryl WagnerCheryl is a PEI-based, Gemini award-winning producer who has achieved prominence in Canadian television, particularly in the specialized field of children's television (she wrote for Big Comfy Couch which recently won an Emmy Award). Ms Wagner was a long-time key member of Toronto's Radical Sheep Productions and since 1999 worked developing and producing animation series with Halifax Film. Recently she has focused on adult fare: collaborating with Dream Street Films of Moncton developing two dramatic series for CBC. She also has been working on her own feature screenplay, Blooming Point, set in PEI.
Writing for Film
Sat/Sun, April 28th/29thFrom 10am-4pm
Instructed by: Jay Dahl
Jay has written, directed and produced a variety of films for CBC, Bravo!FACT, and Telefilm amongst others. His work has won awards and include After Frank and Web Warriors. He has taught similar courses at The National Screen Institute and The Atlantic Filmmaker’s Co-op.**Participants of Writing for Film are asked to work on a short script or treatment, or dust off an old one - before the workshop begins. These scripts/treatments should be handed-in to IMAC by April 20th, so that each participant gets a chance to read each other’s work.I've met Cheryl a couple of times. I mostly know of her from "The Big Comfy Couch" though she's probably moved on to other things by now. And I met Jay at an Atlantic Film Festival script development workshop a couple years ago. Both are very nice and talented people.
Maple Leaf List
Doing my bit for the latest canadian screenwriting meme.
Copied and Pasted From Denis McGrath's blog:
Announcing the First Maple Leaf List.
Here's how this will work.
Accounting for Canada's smaller population and less vibrant industry, the thesis is nevertheless that there are excellent projects out there that for whatever reason, were passed over and not made. The hope is that we can discover some of these forgotten gems and maybe shine a little light on them.
Copied and Pasted From Denis McGrath's blog:
Announcing the First Maple Leaf List.
Here's how this will work.
Accounting for Canada's smaller population and less vibrant industry, the thesis is nevertheless that there are excellent projects out there that for whatever reason, were passed over and not made. The hope is that we can discover some of these forgotten gems and maybe shine a little light on them.
- What sort of project is eligible for the Maple Leaf List?
The project can be any feature screenplay, 1/2 hour comedy/drama television series (based on pilot epsiode), 1 hr television series (based on pilot episode) or animated series (based on bible & sample script.) The project must have been under paid option to a production company or network in Canada in the last five years. (So, anything from Calendar year 2002 on.)
- What sort of projects are not eligible?
Spec scripts of any kind. Stage plays. Documentaries. Projects that were written on spec and never received any option money/development funding. This is not a search for new writing talent. This is a search for passed-over projects. Projects by people who are not Canadian Citizens or Landed Immigrants residing in one of Canada's 10 provinces and 3 Territories as are also ineligible. - Who can nominate a project?
Theoretically, I'm going to leave the ability to nominate a project open to anyone, with this proviso: You cannot nominate your own work. I also state here that I will, as the organizer of this little game, recuse my own work from consideration. In practice, I will give special attention to any project that is submitted by a Development Executive, Network Executive, or Agent. If you feel a piece of work has been criminally underattended, here's your chance. ONLY ONE PROJECT MAY BE SUBMITTED PER PERSON.
- What do I need to do to nominate a project for the Maple Leaf List?
You may submit an ADOBE PDF of the script in question to MAPLELEAFLIST@GMAIL.COM. Dead Tree Scripts (paper) will not be accepted, as I have neither space to store them nor help to organize them. The PDF of the script should not contain identifying features such as the writer's name, on the document itself. Along with the script, a separate document should be submitted with the following information (which will be kept completely confidential:)- 1) Nominator's name and position/occupation/relationship to script
- 2) Project's development history (dates of development/option)
- 3) Project's current status
- 4) Synopsis/description (200 words or less, including genre & length)
- 5) Impact Statement: why you think this project has been unjustly passed over. (300 word max)
- 6) Author's declaration: contact information from the author
- How will the list be determined?
After the submission deadline, a shortlist will be prepared by me. Then scripts will be forwarded to a selection of confidential judges who will be asked to pick their #1, #2, and #3 choices for inclusion on the list. The judges decisions will be collected and averaged out, and the list will be determined from that.
Since this is new and unknown, I have no idea how many projects will be received, therefore I cannot currently speculate on the number of judges, or in fact, the number of projects that will appear on the list. Because the projects will be of different types and genres, the list will not be ranked hierarchically.
Right now, I would be ecstatic to be able to come up with a Top 5 list. If there's more, then there'll be more. If there's less, there'll be less. As I said, this is new. It's entirely possible we won't get enough entries and I'll conclude that either the naysayers are right and there are no good projects being passed over out there, or that Canadian Creatives are as cowed as everyone says we are. We're doing this as a lark. I'm making omelettes and breaking eggs. What are you doing?
Judges will be drawn from different disciplines in the Canadian Broadcast Industry. - What is the Deadline for submitting a project to the Maple Leaf List?
The deadline will be May 18th, 2007, at Midnight. Results will be announced June 10, 2007, on this blog -- just as the Banff TV Festival Gets Underway. - What do I win?
Absolutely nothing but bragging rights. Okay, and if you are in and around Toronto or anywhere else I happen to be and pin me down, I will buy you a drink and an Appetizer of your choice.
All listers will also be profiled on this blog (unless they choose not to be.)
Are there diamonds in the rough? Let's see. Let's see. My guess is, any notable scripts will not shamelessly deploy the icons of Canadiana as I have here. But who knows? Maybe somewhere out there is a script about a maple syrup guzzling beaver who chomps back bacon while prepping for his role in the big hockey game. You just never, ever, ever know.
Monday, March 26, 2007
Thursday, March 22, 2007
Jane Espenson: Show and Tell
For fans of Jane Espenson (Buffy/BSG/AndyBarker/Blogger). A reminder that her Andy Barker episode is on tonight (Thu. Mar. 22) and that she'll be posting comments about the action sequences on her blog afterward.
Coolio.
Coolio.
Tuesday, March 20, 2007
Opening Credits: TV Shows.
The AVClub has an interesting list of what they see as the Perfect TV Opening Credits.
Did they miss any?
Did they miss any?
Monday, March 19, 2007
Sergio Leone's latest Movie Quiz
1) What movie did you have to see multiple times before deciding whether you liked or disliked it?
Any Bergman film. I never like them at first. But when I go back to them... man.
2) Inaugural entry into the Academy of the Overrated
Paul Haggis
3) Favorite sly or not-so-sly reference to another film or bit of pop culture within another film.
Everything in Shaun of the Dead
4) Favorite Michael Powell/Emeric Pressburger movie
The Red Shoes
5) Your favorite Oscar moment
After a streaker goes by David Niven quips about "short-comings"
6) Hugo Weaving or Guy Pearce?
Hugo Weaving
7) Movie that you feel gave you the greatest insight into a world/culture/person/place/event that you had no understanding of before seeing it
Although the movie as a whole isn't one of my favourites, the opening scene of Saving Private Ryan shook me up thinking what it must have been like to be there on the beach that day.
8) Favorite Samuel Fuller movie
Pickup on South Street
9) Monica Bellucci or Maria Grazia Cucinotta?
Monica Bellucci
10) What movie can take a nothing day and suddenly make it all seem worthwhile?
Duck Soup.
11) Conversely, what movie can destroy a day’s worth of good humor just by catching a glimpse of it while channel surfing?
Jerry Maguire
12) Favorite John Boorman movie
Excaliber
13) Warren Oates or Bruce Dern?
Tough. I first became aware of Oates after seeing him in Stripes, I love all his stuff. But Dern is a guy whose work has really grown on me as I've gotten older. Dern.
14) Your favorite aspect ratio
16:9
15) Before he died in 1984, Francois Truffaut once said: “The film of tomorrow will resemble the person who made it.” Is there any evidence that Truffaut was right? Is it Truffaut’s tomorrow yet?
I think it happened a long time ago.
16) Favorite Werner Herzog movie
Not fair to WH, it's been a long time since I saw Aguirre, I didn't like Incident at Loch Ness too much... so I'll go with Nosferatu.
17) Favorite movie featuring a rampaging, oversized or otherwise mutated beast, or beasts
Raging Bull
18) Sandra Bernhard or Sarah Silverman?
No. You cannot make me choose... But I ask if this if you had to live with either SB's character in King of Comedy or SS's character in School of Rock... which one would you choose?
19) Your favorite, or most despised, movie cliché
"You're fightin' for the guy next to you"
20) Indiana Jones and the Temple of Doom-- yes or no?
Sure.
21) Favorite Nicholas Ray movie
King of Kings
22) Inaugural entry into the Academy of the Underrated
Alan Arkin and Peter Falk as a team.
23) Your favorite movie dealing with the subject of television
I'll leapfrog over all the Network folks and choose Broadcast News.
24) Bruno Ganz or Patrick Bauchau?
Bruno Ganz
25) Your favorite documentary, or non-fiction, film
Thin Blue Line.
26) According to Orson Welles, the director’s job is to “preside over accidents.” Name a favorite moment from a movie that seems like an accident, or a unintended, privileged moment. How did it enhance or distract from the total experience of the movie?
"You never take an early lunch?" Peter Falk's line in The In-Laws. He's so funny he almost cracks up the uncrackable Alan Arkin but Arkin makes it a turning point for his character instead. Awesome stuff.
27) Favorite Wim Wenders movie
Wings of Desire
28) Elizabeth Pena or Penelope Cruz?
Penelope Cruz... just for the hair.
29) Your favorite movie tag line (Thanks, Jim!)
It always bugged my teenage self that the Alien tag line: "In space no one can hear you scream" didn't actually pay off in the movie. So I'll go with The Fly: Be ascaird. Be very ascaird.
30) As a reader, filmgoer, or film critic, what do you want from a film critic, or from film criticism? And where do you see film criticism in general headed?
I want my film criticism to be entertaining. I don't care if people thought a particular film was good or bad... I want interpretation, I want slagging, I want inside-scooping, I want personal reaction... even if it's bullshit. As long as it's entertaining bullshit.
EXTRA CREDIT: Do movies still matter?
Yes. If they ever did.
Any Bergman film. I never like them at first. But when I go back to them... man.
2) Inaugural entry into the Academy of the Overrated
Paul Haggis
3) Favorite sly or not-so-sly reference to another film or bit of pop culture within another film.
Everything in Shaun of the Dead
4) Favorite Michael Powell/Emeric Pressburger movie
The Red Shoes
5) Your favorite Oscar moment
After a streaker goes by David Niven quips about "short-comings"
6) Hugo Weaving or Guy Pearce?
Hugo Weaving
7) Movie that you feel gave you the greatest insight into a world/culture/person/place/event that you had no understanding of before seeing it
Although the movie as a whole isn't one of my favourites, the opening scene of Saving Private Ryan shook me up thinking what it must have been like to be there on the beach that day.
8) Favorite Samuel Fuller movie
Pickup on South Street
9) Monica Bellucci or Maria Grazia Cucinotta?
Monica Bellucci
10) What movie can take a nothing day and suddenly make it all seem worthwhile?
Duck Soup.
11) Conversely, what movie can destroy a day’s worth of good humor just by catching a glimpse of it while channel surfing?
Jerry Maguire
12) Favorite John Boorman movie
Excaliber
13) Warren Oates or Bruce Dern?
Tough. I first became aware of Oates after seeing him in Stripes, I love all his stuff. But Dern is a guy whose work has really grown on me as I've gotten older. Dern.
14) Your favorite aspect ratio
16:9
15) Before he died in 1984, Francois Truffaut once said: “The film of tomorrow will resemble the person who made it.” Is there any evidence that Truffaut was right? Is it Truffaut’s tomorrow yet?
I think it happened a long time ago.
16) Favorite Werner Herzog movie
Not fair to WH, it's been a long time since I saw Aguirre, I didn't like Incident at Loch Ness too much... so I'll go with Nosferatu.
17) Favorite movie featuring a rampaging, oversized or otherwise mutated beast, or beasts
Raging Bull
18) Sandra Bernhard or Sarah Silverman?
No. You cannot make me choose... But I ask if this if you had to live with either SB's character in King of Comedy or SS's character in School of Rock... which one would you choose?
19) Your favorite, or most despised, movie cliché
"You're fightin' for the guy next to you"
20) Indiana Jones and the Temple of Doom-- yes or no?
Sure.
21) Favorite Nicholas Ray movie
King of Kings
22) Inaugural entry into the Academy of the Underrated
Alan Arkin and Peter Falk as a team.
23) Your favorite movie dealing with the subject of television
I'll leapfrog over all the Network folks and choose Broadcast News.
24) Bruno Ganz or Patrick Bauchau?
Bruno Ganz
25) Your favorite documentary, or non-fiction, film
Thin Blue Line.
26) According to Orson Welles, the director’s job is to “preside over accidents.” Name a favorite moment from a movie that seems like an accident, or a unintended, privileged moment. How did it enhance or distract from the total experience of the movie?
"You never take an early lunch?" Peter Falk's line in The In-Laws. He's so funny he almost cracks up the uncrackable Alan Arkin but Arkin makes it a turning point for his character instead. Awesome stuff.
27) Favorite Wim Wenders movie
Wings of Desire
28) Elizabeth Pena or Penelope Cruz?
Penelope Cruz... just for the hair.
29) Your favorite movie tag line (Thanks, Jim!)
It always bugged my teenage self that the Alien tag line: "In space no one can hear you scream" didn't actually pay off in the movie. So I'll go with The Fly: Be ascaird. Be very ascaird.
30) As a reader, filmgoer, or film critic, what do you want from a film critic, or from film criticism? And where do you see film criticism in general headed?
I want my film criticism to be entertaining. I don't care if people thought a particular film was good or bad... I want interpretation, I want slagging, I want inside-scooping, I want personal reaction... even if it's bullshit. As long as it's entertaining bullshit.
EXTRA CREDIT: Do movies still matter?
Yes. If they ever did.
Dave's Yes/No Movie Review: Letters from Iwo Jima
If this review system of mine has any value it's in its brevity... However--
I just want to say that I know it might just be sour grapes, or the old Canadian Lobster Pot Syndrome, talking -- but I'm looking forward to watching a movie that DOESN'T have Paul Haggis attached as a writer.
Oh right, so a half-hearted, "Yeah, whatever."
I just want to say that I know it might just be sour grapes, or the old Canadian Lobster Pot Syndrome, talking -- but I'm looking forward to watching a movie that DOESN'T have Paul Haggis attached as a writer.
Oh right, so a half-hearted, "Yeah, whatever."
Friday, March 16, 2007
Monday, March 12, 2007
Thursday, March 08, 2007
Robson Arms: SPECIAL AIRING Take Two!
Okay, let's try this again people.
CTV is giving us another shot at a special time slot. We're airing "The Daughter of Frankenstein" right after the season finale of Corner Gas next Monday.
Especially excited because it's gonna be one of my episodes, featuring the very funny Linda Kash and the talented up and comer Tegan Moss.
Trivia: According to IMDB Linda is the daughter of Maureen Forrester! I had no idea.
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